Kristin Reviews True Grit (2010)

I will begin by stating that I have not seen the 1969 True Grit starring John Wayne, nor have I read the 1968 Charles Portis novel from which the two films are adapted. I think this is good, because, although Ethan Coen said during preproduction that the film was not a remake of the classic John Wayne film, but rather a faithful adaptation of the novel, I understand that many viewers of the Coen Brothers’ 2010 adaptation can’t help comparing the new film to the original. I walked in with no expectations, so my review reflects only my experience with the 2010 version.

Although True Grit suffers from a poorly constructed third act, the film overall is extremely enjoyable. The Coen Brothers have a knack for writing movies filled with unique and colorful characters; often much of the entertainment value of their films lies in the juxtaposition of the mundane and the unexpected. This is the case in True Grit; every character in the film thoroughly embodies that signature peculiarity without interfering with the dramatic (although occasionally extremely humorous) story or the defining characteristics of the traditional western genre.

Particularly satisfying is the contrast between the three main characters, Mattie Ross, Marshall Cogburn, and Mr. LaBoeuf. All three characters pursue the same objective throughout the film, but this is not a simple manhunt tale. It is the differences between their reasons and their methods, and the conflict that arises as a result, that make up the actual story. All three characters have likable and unlikable characteristics, which makes their pursuit of a man labeled as “bad” by all three of them interesting.

Most compelling, though, is the way the quality of “true grit” earns a definition as the film progresses. 

Mattie initially selects Cogburn as her bounty hunter because he is described as having “true grit.” In the beginning, with his seemingly cavalier and drunken ways, one has to wonder where that description came from. “Okay,” one thinks, “I get it. Cogburn is going to show his true grit in the end.” And, as expected, he satisfactorily demonstrates aspects of the description come act three. 

However, I would argue that it is not Marshall Cogburn to whom the title refers. It is, in fact, Mattie Ross. By the end of the film, Mattie is the character who has exhibited extraordinary, and, thus, true grit. From the moment she identifies her father’s body at the beginning to her final courageous, self-preserving efforts, Mattie is will personified. 

Marshall Cogburn and Mr. LaBoeuf are hardened men of the law; both have experienced danger, loss, and death; both have taken lives and carried that burden with them. The grit they possess has been earned. Mattie is a 14-year-old girl who faces all of these things head-on with strength, decisiveness, and courage. True Grit is her story, and the Coen Brothers deliver exactly that. One who goes in looking for a story about Rooster Cogburn will be disappointed. Me? I was quite pleased by the story that got told.

Which makes the failure of the third act all the more disappointing. I understand the movie is adapted from a novel; novels can get away with things movies cannot. The delay of the final resolution tarnishes an otherwise thoroughly satisfying film.

I believe True Grit is most likely to earn an adapted screenplay nomination, and probably an actress nomination for the remarkable Hailee Steinfeld. With ten spots open, I will be surprised if it does not also get nominated for Best Picture. I’d also put money on a cinematography nod.

-Kristin
1.17.2011